Midsommar Review

One of the best and most disturbing films this sommar

After just how good Hereditary was, expectations were high for Midsommar. Ari Aster had done a stellar job of crafting a horror that was both beautiful and terrifying. With his sophomore attempt, he decided to go a different route and while it’s not as scary, it’s beautiful in its own way.

The story follows a young couple who travels to Sweden to participate in a midsummer festival with some friends. While everything starts out fine, things start to take a strange and twisted turn as the days go on.

Midsommar is one of those movies that will both captivate you to the point that you can’t stop watching and disgust you to the point that you want to stop. It’s this internal clash throughout most of the film that brings a sense of dread and disturbance to any innocent soul who goes to watch this, especially in theaters.

And it really is beautiful. Midsommar is hands down one of the best movies I’ve ever seen visually. The way they use light and color along with special effects here and there just adds a sense of dream-like quality to all the weird happenings throughout. It feels like one big drug trip that gets more intense as time goes on. This coupled with the masterful usage of sound that Aster has become known for creates an experience like no other.

But boy do they go hard on the gross imagery. There’s not a huge amount of it besides small things here and there that unsettle you, but they don’t hold back when things start to get going. The gore is extreme and there’s one sex scene that is so unsettling, it’s hard to describe in words. Apparently the movie was rated NC-17 for a few weeks before Aster convinced the MPAA to knock it down to R and I don’t doubt that fact one bit.

Just don’t go in expecting Hereditary. Midsommar is an extremely slow burn that gives you so many thoughts and feelings that it’s hard to register what you saw coming out of your first showing. This is one that you’ll need to see two or three times to truly appreciate everything that Aster put together in his latest creation. It’s slow, a bit too slow at times, but when everything starts to come together in the end for one grand conclusion, it’s all worth it.

Midsommar is one of the best movies this year and there’s no question about that in my mind. It’s certainly not for everyone, and many won’t get what all the hype is about, but it’ll go down as a masterpiece of filmmaking from our era. If you have the patience and the stomach for it, go see Midsommar in theaters before this sommar is over.

The Hall Score: 9/10

Us Review

Jordan Peele’s sophomore film does not disappoint

After the breakout success of “Get Out,” expectations were high for Jordan Peele’s next major movie, “Us.” After months of teasing from Peele on Twitter, the wait is finally over and it seems that he has delivered once again. The film debuted at 100% on Rotten Tomatoes and despite the fact that it has slightly fallen after opening nationwide, there is positive buzz from critics and fans alike.

The story follows Adelaide (Lupita Nyong’o) as she goes on a trip with her husband (Winston Duke) and her two kids (Shahadi Joseph, Evan Alex) to a beachfront where she had a traumatic experience in her childhood. Everything seems fine until four mysterious intruders appear in the night, a duplicate family of themselves.

This movie delivers multiple integral aspects of film near perfectly. The acting is phenomenal, the cinematography is unique and unsettling, the building of atmosphere is extremely well done, and the blending of horror and comedy is flawless. The only real “issue” of the movie that people are talking about is that if you look deep enough, there’s some holes in the story that don’t quite add up. I disagree. Part of the beauty of it is that unlike “Get Out,” the meaning isn’t straightforward and obvious. It’s up to the viewer to interpret what they watched and make sense of the sequences and events that took place.

One thing that is just so impressive about the performances is the fact that each of these actors had to perform two conflicting roles. Lupita Nyong’o absolutely killed her performance. You can feel her emotion throughout and her duplicate self is absolutely terrifying. There’s a fight sequence near the end of the film that is so well done, I can’t stop thinking about it. I genuinely believe that she will have a shot for Best Actress with this role. She stole the show and that’s that.

Winston Duke also does a great job of playing that heartwarming but embarrassing dad. He’s a great comedy relief throughout, but when he needs to focus up, he does what he needs to do to take care of business protect the family. My last acting shout-out will go to someone who will likely not get talked about as much, Elisabeth Moss. Playing a family friend, she’s somehow able to pull off both a stuck-up diva and a crazy woman side-by-side and make it look easy.

Outside of the actors themselves, just the creativity of Jordan Peele’s cinematography conveys the atmosphere brilliantly. He pulls off shots that make the viewers question the meaning of every little detail, as well as making you feel both unsettled and engaged. This helps with the blending of two very different genres that creates an overall enjoyable experience. If you think “Get Out” was a great mix of horror and comedy, he takes both to the next level with this one. It’s a weird feeling, not knowing whether to laugh or cry throughout a large majority of the movie.

The icing on the cake is the well-balanced pacing of the three acts. It builds well early on, setting things up without being too slow and losing your attention. When the action kicks in, it keeps you engaged without overdoing it through the entire middle hour of the movie, before finishing everything off with a stunning climax that leaves the audience questioning everything that they just witnessed. I never once felt tired or bored. I was intensely focused through every second, whether it was a laugh out loud moment or a scene that was truly horrifying.

“Us” is a must-watch film for horror fans and movie-goers alike, rivaling “Hereditary” as one of the best scary movies in recent history, if not ever. It’s a very different feel from “Get Out” but it’s still spectacular nonetheless. If you have the time, go out and see this movie. It is well worth it. Peele created another masterful film, showing he is not a one-hit wonder, and with that I will be awaiting his next project anxiously.

The Hall Score: 10/10

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